ENCOUNTER WITH RIDERS WRITTEN 1998
ABOUT A 1994 CONCERT
1994
It was an ordinary lounge in a brand
new Las Vegas casino and its tiny stage was only a
foot above the floor. There were maybe twenty small
round tables in the room, one of which bore a sign
that read, "Reserved for Riders in the Sky." The
Riders, of course, would not be sitting there;
they'd be on the stage. I guessed that the table was
for the equipment manager or for the Riders' family
members or friends.
It was an ordinary lounge in a brand
new Las Vegas casino and its tiny stage was only a
foot above the floor. There were maybe twenty small
round tables in the room, one of which bore a sign
that read, "Reserved for Riders in the Sky." The
Riders, of course, would not be sitting there;
they'd be on the stage. I guessed that the table was
for the equipment manager or for the Riders' family
members or friends.
I looked the place over, marveling at
how small it was and I thought, "Oh, man, I'm going
to be sitting right in front of them when they
play."
There was not yet a single person in
the lounge and I knew I had plenty of time to choose
a good table. Then a fear struck me, and I went up
to the bar to make sure that nothing had gone wrong.
But all was well; the barmaid said that the act was
still scheduled for eight o'clock.
When I turned to pick out a table,
they were suddenly there -- two of the trio anyway:
Ranger Doug, guitarist and Too Slim, bass player.
They looked just like they did on TV, jazzed up in
their Hollywood western outfits.
"Oh," I said nervously to Too Slim.
"I'm such a fan." I stuck out my hand and he shook
it.
The Riders in the Sky book I had
brought with me was in my other hand and I held it
up. "I wondered if you could sign this for me."
"What's your name?" Too Slim
asked."Tom. "
"Tom?"
"Yeah, I flew over from Arizona just
to see your show tonight."
Too Slim wrote, "Howdy Tom!" on the
title page and drew a cartoon cowboy hat there.
I shook Ranger Doug's hand and said,
"I'm your biggest fan." I opened the book to
an article that he had written. The article was on
rhythm guitar technique. It ended with some sheet
music showing how to imitate the astonishing Ranger
Doug style of rhythm guitar playing. The style
entailed playing a different chord for every beat
(or nearly so) of every measure of an entire song.
"I play guitar and I found this extremely helpful,"
I told him. "I hope you'll find time to write some
other articles like this."
"That's all I know," said Ranger
Doug.
I was surprised at how soft spoken he
was. This guy could yodel louder and better than
anyone I'd ever heard. I wondered how his off-stage
demeanor could be so subdued.
"Are you going to be playing the L-5
tonight?"
"No," said Ranger Doug, quietly. "I
didn't bring it." He took the book from me and
thumbed through it to show a photo of the guitar he
planned to play. It was an old Gibson
square-shouldered dreadnought.
"Why that guitar especially? Does it
roar like the L-5?"
"No, but it travels well and if
someone steps on it, it isn't the end of the world."
I knew what he meant. Most guitars
are not very expensive, but the L5 is an offshoot of
the old Gibson Super 800, which was so named because
in 1939 it cost $800. An arch top instrument
like a violin (with F holes), it was designed big
and noisy to be heard over the brass bands of the
time. The L5 is similarly designed and its price is
comparably high; a few weeks earlier, I had looked
up the model in a Gibson catalog and found it listed
for $12,000. I'd never as much as seen a real one.
Ranger Doug talked in almost a whisper
about guitars and touring. Then he went through the
book with me before signing it. Too Slim looked on
all smiles and patience. Ranger Doug's wife, Diana
"the Scandinavian Goddess" (Everyone associated with
the Riders has an epithet.) walked up and joined us.
"Would you guys mind if got a picture
of me with you?" I asked.
"I don't mind," Too Slim said.
I stood between them and Ranger Doug
put his arm around me as his wife took the
picture with my camera.
"Well, I'll look forward to seeing
you guys at eight o'clock." I said.
"Okay, Tom," said Too Slim.
"See you," Ranger Doug whispered.
I chose a table next to the stage and
read through a field guide on birds to kill time.
When the lounge began to fill, I shared the table
with some locals. They'd seen the trio just once on
TV and were hooked. When they heard the Riders were
in town, they had come running. I knew a lot more
than they did about the group and I filled them in.
The show started in the Riders' usual
way: music and then introductions. Ranger Doug began
with, "Ladies and Gentlemen to my left -- your
right-- as you stare into your radio this evening, a
man aging like fine cheese. Too Slim!"
But Ranger Doug's voice was barely
audible. It cracked and he seemed in pain just
getting the words out.
"And I'm glad to be here!" said Too
Slim. "Thanks, Ranger Doug."
"And to my right and your left -- his
Royal Majesty, Woody Paul, the King of the Cowboy
Fiddlers!"
Woody smiled. "Thank you, friends,"
he said. "Thank you so much. No, no, keep your seats
-- that's all right."
When the applause ebbed, Woody went
on. "Thank you for that wonderful, warm applause,
but kindly save your strength because -- here
stands a man above the rest. He's more than equal to
any test. He's a man of gumption, grit, truth. Known
to millions as the Idol of American Youth. Ranger
Doug!"
"That's me!" said Ranger Doug, but
the words came out as just a croak. The tall
crooner's voice was gone.
"Oh, no!" I said to the people at the
table. "Ranger Doug has laryngitis!"
The Riders explained that Ranger
Doug's problem was "swollen vocal chords," an
affliction that professional singers occasionally
get. No one knows why, but sometimes it happens and
then later it gets better. They hoped.
The band launched into its songs and
Ranger Doug was mostly just pretending to sing.
Woody Paul took over the yodeling and Too Slim and
he did the singing along with what very little
Ranger Doug could add. The music was still
excellent, but the jury-rigged PA system that the
lounge had put together made it tough going for the
Riders. Indeed, there was at least one time when the
feedback got so badly out of control that the whole
song just ground to a crashing halt.
During the intermission, I approached
Woody Paul for his autograph. He looked at me and
said, "I've got to apologize for this sound system."
"It's a shame about Ranger Doug's
voice," I said. "Do you think it'll get better?"
"I don't know. It's been this way for
three months," he said. "And I'm tired of doing all
the yodeling."
"You're good!" I said . And it was
true. I was very surprised at how well Woody could
yodel.
"Hey, Too Slim would like that book,"
Woody Paul said, pointing at the field guide.
"Is he a bird watcher?"
"Sure."
I took the book over to Too Slim and
asked him if he ever used Robbins and Singer's book.
He said he used the Roger Tory Peterson Guides and
had become interested in birds when he got his
degree in biology.
I knew that Too Slim also had a
master's in wildlife management. All of the Riders
had advanced degrees: Ranger Doug a master's in
literature and Woody Paul a Ph.D. in plasma physics
from M.I.T. Too Slim, however, had perhaps the
greatest claim to fame on the college scene for he
single-handedly started the world-wide "Paul Is
Dead" Rumor back in 1969 when he was editor of his
university's newspaper.
I wanted to ask him about how he had
taken up the string bass, but there were other fans
that wanted a chance to talk.
I went back to my table, and watched
Ranger Doug greet the fans with a button on his
shirt that said, "No questions, please. I'm on Voice
Rest." I was just about the only one who got to talk
to him that night. His wife sat at the Riders'
reserved table chainsmoking with a giant daquiri in
front of her and laughing with a girlfriend.
When the Riders went into their next
set, I requested a Woody Paul tune called Blue
Bonnet Lady. I knew that Ranger Doug didn't sing the
lead on that one.
Too Slim looked down at me and said
into the mike, "Hey, everybody! It's Tumbleweed Tom
from Arizona!"
I sat there grinning stupidly. "Oh,
these Riders are real people pleasers," I thought as
the locals at my side dug me in the ribs and banged
on the table.
As the show continued, I tried to
imagine what it must be like to be on twenty years
of non-stop road tours. This was just one of the
one-hundred-plus shows the Riders put on that year.
And Ranger Doug wouldn't get his voice back for
another eight long months.
In the meantime, I sat basking
somewhat uncomfortably in the obscure fame that Too
Slim had manufactured for me.